Flicker

50 minutes scenic action inspired by the notion of flicker or electronic blinking that comes from the structural films.

Tony Conrad in its film The Flicker (1966) raises that the essential of the cinema is the blinking of the light of the projector, the alternation between light and the dark, alluding to a material and physical element that does not need metaphors nor interpretations to be recognized.

The question in our case is: what would be essential and constituent of the scenic fact? Flicker ventures an answer, between many others.